皮囊第七季

预告片很好得误导了观众，竭力把大伙往成长与改变的路子上引，再加点煽情段落混淆视线，于是我觉得有必要在青春的脸上抽一巴掌，然后揭发一下皮囊这一整个系列意图教导大家的一个基本指导理论。

最初看Skins是被什么吸引了？

“青春靓丽”的演员，“英式忧郁”的气质，别骗人了，明明就是发现里头的人到处乱搞，没事就露屁股觉得很刺激，然后就入坑了吧！

那我们就节省时间把目光聚焦到故事里几段重要的床戏上：Effy操老板，害了DomCassie操同事，害了JokobCook操Charlie，害死了Emma，一家而这种主角作死，炮灰陪葬的桥段在skins里也屡见不鲜Cassie饿死，是因为Sid操MichelleTony被撞，是因为Michelle操SidEffy注射过量，是Tony作孽搞了Michelle高富帅蓝盆友的妹妹Thomas暴走，因为Panda操CookEffy暴走，因为Freddie操KatieFreddie暴走，因为Effy操CookCook暴走，因为他可以操所有人你以为搞拉就不折腾了么？

Naomi也害死过一夜情妹子，Emily操JJFred被变态医生打死，Effy终于操到自己想操的人但是操太多操不下去了皮三代里唯一清新可人的Grace，是被大脑充血的Franky婊害死的Chris是片子里唯一操对人的，可惜他还是死了，为什么呢？

因为编剧要破坏Cassie和Sid之间最后一丢丢可能性。

所以，勒紧裤腰，没事不要总是下半身先行，即使为了环保，也要少用几个套。

可能再过几年都遇不到这么糟烂的剧本了，但又高度浓缩，一网打尽你能见到最纠结的性关系网，终于完成了普济世人的目的。

Skins是很多人的一个念想，因为我们大部分人都没敢那么疯过，但很遗憾的说，不是抱着必死的决心就不要尝试了，你看里头有一个是好下场的吗？

没有吧？

加紧腿好好学习，早早上大学做个有用的人，另外还要记得远离给老板送逼的贱货，整天做白日梦的傻妞，和有前科还搞老板女人的惯犯。

最后还是要表达一下本人对于Cook大王的敬仰，不愧是skins中最有影帝气质的，眼神气场和结实的胸肌，都非常到位。

而就事业发展和作品质量上也一直都证明我的眼光是不错滴。

相对而言，Effy和Cassie的进步就很微弱了，前者上一次闪光是在Robbie Williams的MV中客串高贵冷艳的Effy2.0，后者的highlight应该是Tim Burton的烂片Dark Shadow里一掠而过的嬉皮士小妞（不要和我说独立电影，一部都没看到怎么评论）

Effy the same, others the same. As skins season is back, the same somehow is and isn't the exact description giving the circumstances do change as they always are.There's always an Effy and the other in one's hearts. This is one thing doesn't change. Effy sits quite deep in thought in the middle of a room of the wasted, indifferent, independent the Effy who is observant and insightful of nature of things, and always sides with the truthful ones: friends with Naomi of the justice, with Pandora of the innocent, when everyone shuns in one way or other JJ's honesty, Effy is the only one that embraced it and returned with the same. Now though grown up, Effy still Effy, accasionally rises in defence for poor dom, spitting fire to the mean malice forces. She always stands up in moment like that, moment that a rightful decision need to be made, and on behalf of others and herself, she always made it right. Or she thought she did, with so much convinction that bring us all on board.The others around her are necessarily complimentary reflections of the multiple facets in the same person. It's no surprise Naomi's now in a bad shape because she stays who she was, after all she's never been the normal kind of smart anyway, she's smart the way Effy is, her judgment piercing through the essence of things, tearing off masks faked by Effy and Cook, and love for who they really are behind the walls, the vulnerable Effy and tender Cook. She even shares Effy's fear, fear for true love that would hurt and kill, therefore she cheats on Emily the same way Effy fucks Cook instead of Freddie. For the unmistakenable alikeness, no wonder she and effy becomes close.Yet it is their distinction that sets them apart. One of unyielding, the other flexible. The real world tends to favor the latter and leave the former beaten down, as it turns out. I am not sure which one should be accounted more lucky though. Probably sharing my doubt, there is Effy struggling in deep water, shifting between dreams and reality, between crazy dancing floor and big bad world of work. The fancy dance sequence is just a form of ideas, not necessarily happened for real, given that it's highly unlikely that she would still have streighth to go clubbing after an exalting day of work. But we have to give it up for that gesture, a hint at where she came from and still wanna be. Same old Effy, still the same, never change. But the brilliant of the show is how the inside struggle is subtly concealed. Instead of the cliche of pouring out emotions to appeal to the audience, it only suggests to mass of a turmoil underneath a tip of iceburg that being shown. "No one breaks my heart" is what Effy used to say. Rather it could be rephrased: no one sees my heart's breaking. The girl who thinks she knows it all but at times gets herself in situations she couldn't possibly handle. And this time again, she's slipping into a sprialing down without forseeing it.No matter how Effy's story ends, it is about time. Time to have an end. Those young crazy and rebelious kids, full of attitude and character, coming to age, face their ends. It's better to end them tragically. After all, skins is all about dark and twisted. What is more beautiful than the beauty being ruined. The ruined beauty lives forever. Effy Stonem and the other, under one's skins. My skins.

到第七季了，前四季的各位，看到你们心里无限的期待和激动，感觉好像好久没见的老朋友，真想先问一句：这段时间，你们在干嘛呢，过得好吗？

好了，回归正题，六集，三个主题，一群人的故事。

上了很多的配乐，更多的是碎片化安静的描述，这是最终季一个截然不同的格调，似乎，也该是到说再见的时候了，虽然他们的生活还未完结。

火：二十出头的effy，那个经历了哥哥车祸、自己险些丧命、男友被谋杀、自己神经崩溃之后的女孩，在读完大学，进入了现实的社会后，和同学朋友naomi住在伦敦的一间出租房里，作为对冲基金的接待员，她不敢生活的平庸和平淡，渴望着出人头地，渴望着过上自由的日子。

她成功逼退了上司victoria，利用dom的感情获取秘密的金融信息，为自己的公司赚到了大笔的收入，和自己的上司做爱，出入奢华排队，住进宽敞明亮的新家……一切都有了，可是，naomi不断指责着这个拼命过头的朋友，为了往上走而冲昏了头，naomi生病了，监管会查到她头上来了，dom出事了，那个她所谓的情人却不管她……干劲太足的生活瞬间失衡，找不到出口。

她就像一把烧过了头的火，需要现实的一场冷雨浇醒。

纯洁：去了美国的cassie过着什么样的生活，Sid找到她了吗，他们的爱情是否还在？

真的无从得知，只是，两个月前，她回伦敦了，妈妈去世后，爸爸和弟弟住在威尔士的一间海边小屋，整日无所事事，沉浸在自己的悲痛生活中。

重新开始生活的cassie告别了过去的糜烂，那个纯真无邪的女孩已经不那么爱笑了，只是默默地做着自己的工作，在夜晚短暂沉浸在自己的音乐世界里。

可是，她不知道，她这样默默无闻的安静生活在别人的眼里是如此的魅力，那个餐馆的男孩喜欢她，单纯地喜欢她，而不是想另外那个以色列的军官一样希望跟她做爱。

这样纯洁的关系保持得下去吗？

在男孩看来，这当然可以，他只要帮她拍照，她过着自己的生活，这就可以了。

可是，上传在网上的照片得到了很多人得关注，他们开始来找cassie，去当模特，这就不纯洁了……于是，纯洁的关系开始破裂，纯洁的感情失去了平衡，是的，生活没办法如此，什么事都有关系，everything matters。

上升：cook后面去了哪里呢?想不起来了，原来他现在成为了一个类似于毒品头的下线，帮人贩售毒品。

遗忘过去生活的他只想过着最简单的生活，可是那个黑帮老大的女人爱上了他，于是，引来了生活中的很多意外，很多争吵和暴力，这本不是他所希冀发生的事情。

他需要重新面对十多岁的青春期里那种充满了报复和暴力的生活，需要做一个抉择。

于是，他又杀人了。

幸好，这一次，他勇敢了起来。

生活在上升的过程中，总是要堕落那么一两次。

Effy's going to jail, Naomi's going to die, Emily's going to be even worse than death. Most of the viewer of the last episode of skins, cannot cope with tragic endings like that, including me at least for a while. For me, personally, it's not the death or prison that bothers the most, it is the non-dramatic way of telling almost nonchallently, of the most tragic ending that one can think of is happening right in front our eyes while pretend not a big deal of it. Instead of showing meanings to us, all is simply impled by. Those viewers seek for some kinda closure of the whole skins series aren't gonna get it, for there left so many lose ends; those who hope for drama aren't gonna get it, disappointed by its realistic telling of dramatic event and its anti-clamax of an ending; Those who expect twists and turns would surprise and flip at the extreme lack of it. Despite all that, we should decide to love it, after all that is the end we get in life.The first thing needs to be clarified is that television becomes no less inferior than literature these days, at least for some good television shows like Skins, it is true. A fact we need to come to terms with. And as no sensible readers would curse the writer and demand him to rewrite an ending that he doesn't like, television is not an negotiation as well. For those who think it is, well you are so self-involved to hook on the delusion of it. That's the sole lie the life-shows nowadays are depending on you to believe, a conviction that the power's in your own hand. For Christ sake, what a convenient flattering that is! As sensible viewers, we see right through it, we accept what we got and try to appreciate the beauty of it.After all, Skins fire. As the title suggests, it is about lights, destruction and rebirth. And a terrible beauty is born. Adulthood is such a terrible beauty. Especially for Effy, once aloof, indifferent, omniscient goodness in her little circle, washed by fire, and reborn into human. Of course, there's some sacrifice along the way. So walking out of paradise full of drugs, parties and hormones, here she is, taking three steps of becoming human as we know it.Step one, compassion."I want to feel something, I want to be hurt! Come and hit me!" The girl ran into the middle of the street and exclaimed a death wish in front of world. That's near the ending of Effy's teenage years, almost the last we see her. Since then, apparently, the wish has come true. In fire, we see Effy's feeling, invisible as it always is, all over the place. The way she bites her finger nails watching Naomi on stage doing shitty comedy and being laughed at, the way she cries when being yielded at the truth of Naomi's illness, the way she goes blank hearing the doctor said the drug doesn't work and the way stares Naomi lying on the CT scan thereafter runs out of room, and the way she panics holding Naomi in her arms puking all over the place-- we never have seen Effy going through all levels of emotions before, not merely for herself, but for her best friend, for Naomi and Emily. With herself, she can be tough, takes it on her own: "I am fine", when Naomi asks she used three words as such to conclude it, even if she's not. Far from doing nothing, as Naomi accuses her to be, she's doing everything she could to hold it together, being tough for her, can't stop feeling for her but has to conceal it for her. That is not sth she told us, That's sth we sense. For those who love Naomi and Emily with such a bias to take in everything they say, myself included, might look beyond the surface and see they are blocked by own individuality as well. In fact, compassion is all Effy is in fire, "she has such big love inside of her, just needs to be let out, and the possibility to let out scares the hell of her" Effy's mom knows her nature well. Well, at least she smiles at the end, typical Effy smile, as if to say "you don't know me at all", or maybe this time, it says: "I can feel after all, i feel something". Compassion we know that is what makes us all human, and from the moment she feels it, Effy is no longer mysterious and inappoachable fairie, she is one of us, human. Step two, mortality.Naomi's death really provided an occasion for mourning, mourning for the beauty being tragically destroyed. It is sad, true. But it is sensible, as we consider it. After all it becomes a tradition of skins, to kill one favorite character at a time of generation. And for generation 2, Freddie is definitely not the most favorite one. It is the thing had between Naomi and Emily that makes the most wonderful thing that the make-believe world of skins had created for us. And let's face it, the most beautiful thing as it always, is irreplacable. There's no carnation for that, no reborn in it (as they are lesbians) therefore, it is immortal. This is the reason they can't survive the mortal world of adulthood. One of them has to be destroyed, and the other along with it. And as if killing our favorite couple isn't cruel enough, Effy needs to witness and learn from the tragic of all this, to see the only positive unyielding love that exists in her past world being worn out by an incurable disease of mankind. From the moment her best friend told her the illness, Effy knows it's gonna go down like this, she knows it too well, so she can't stand watching Naomi pretend like nothing and make fun of herself in a comedy, yet she complains in the most minute ways, pissing Naomi about the rent which essentially means the burden all weighs down on her- she needs to be the rock, and it's fucking hard. Neither can she offer comforts to her like innocent Dom, cause she knew it better, the truth hurts so much that she can't fathom a way to act it otherwise. Again, like I said, Mortality takes its toll, for Effy, it is the farewell paid to the old world of her past with Naomily in it, a burning ritual she has to experience descending to the world of works in her fantasy, a brave new world of men. And Naomily is the sacrifice, given that Homosexuality implies in literature a longing for death in itself. The poet and beauty must die, so the rest of us can keep on living.Step three, helplessness.At times we can't help but wonder why things always go terribly wrong with Effy, no matter how fucking together they all seem in the first glimpse! The onmiscent soul of this childhood circle stumbles way out of their idealistic small world and find she's merely a tool used by more onmiscent forces way sophisticated than she is. Helplessness is the condition of humanity. It breaks her charm, make her helpless. Emily says: "We idolized her." Cook's fucking Dad: "You are too pretty for your own good, that's why you destroy everything you touch." Such are the contrast between surface and core of Effy. Lights and destruction all sealed in one, waiting to be born. And in skins fire, it burst alive. It is interesting to note that in retrospect, everyone around Effy ends in various tragic ways: her parents separated, her brother got hit by a car, Freddie got killed and Cook went down for his revenge, and we thought Naomily is the only exception for they are special, how naive we are! There's a certain helpless gravity for tragic in Effy that makes her so appealing and at once so heartending. It almost seems nothing stays with her, under circumstances like that one almost certainly can't help but hold itself to blame. God knows how she serectly took the fault herself for all lost in life! In front of the mass of life, for the first time, we see her had no clue about what to do? It is Naomi in sick bed push some sense in her again, "Seriously what do we got, Effy? Well, I am going to die, what you gonna do? " That probably reminds her who she is and should be. After that, we see her picking up Emily at airport, possibly she called her up and reveal the truth as she should in the first place; then she made deal with victoria to tell on boss under sole condition that dom is untouched. She made the right choice eventually, as she used to be. Better late than never, taking responsibility for what she did like a fucking adult. It takes her edge off, which still makes me angry, not at her, but at the fucking real world of ours that rounded with such a flame in the first place. Yet the most helpless as it always was in Effy is the fact that she has to play the help all her life, which means no one helps Her, that she is truly THE most helpless one. That leads to off-putting love affair with her boss. But seriously cut her some slack, please. Leave aside the fact that boss is adulthood look-alike of Freddie, probably an unintended happy coincidence, she's lonely, and extremely so after a load of pressure landed on her, taking care of best friend mentally and financially, watchig them being happy and all that. What do we expect her to do, instead of cutting herself and going mental in the bathroom, isn't it much healthy distraction to find a man to love and entertain a little fantasy that somebody got her back? Dom and Boss, she picked the one who pays her rent, so that Naomi didn't have to. And that, for me, makes character of Eff, most lovable and lamentable beyond all.The Effy who used to smile her mysterious smiles that says "you don't know me at all", still smiles at us in the end. Is it sort of mock or self mock? for many a thousand viewers shall this, her mock, mock out of their retardness after seeing all she went through still don't see who the hell she is; mock herself from dreaming our world to be hers therefore making effort to it; mock grown-ups down, and others yet ungotten and unborn that shall have cause to curse the city that bereaves her Eden and beloved from earth.Skins fire comes to an end. The followings, in this order, comes pure and rise. It is interesting to note that in the trailor the order has been rearenged: it should be rise, fire, and pure. That is to say the actually serie begins in the medres, classic order of story telling. And it should be expected to return to rise in a circle, suggesting to a eternal reoccurrence of the proccess. Therefore, we have reasons to believe fire is the brutalest one, perhaps things would pick up tone a bit: in pure, it might smooth out a bit, going for depth; rise probably going to be full of struggles but worth it. But eventually, as the trailor so artisticaly hints at: three individual under one skin, going through phases, transforming into one another's life. Step by step, we walk out of ourself, into hers, into his then eventually back to our own skins. All change and changed utterly, a terrible beauty is born.

咬牙看完了skins的最后一季。

早就下好了，一直没有看，可能是害怕触动心中的某些情绪吧。

毕竟从初二，到现在大二，真的仿佛陪我走过了一个青春，像是在哈利波特中度过的童年。

现在再想起来，很多东西，不管是片里还是片外，随着年月流逝，都已纷纷不见。

哭哭笑笑，转眼已七年。

想起看第一季时，还是在放寒假在姐姐家里边假模假式的打开假期作业，边贪婪的望向电脑屏幕，看着一群恣意妄为的英国少年们尽情挥霍青春，不想明天，不念未来，只是享乐于当下。

开始只是被片中面容姣好的男孩女孩们和另类乖张的剧情所吸引，后来，好像渐渐沉入了一个深不见底的漩涡之中，无法自拔。

一二季的人物，可能是我寄予感情最深的吧。

或许是先入为主，但是一想起一些情节，仍然觉得无法释怀。

tony永远整洁的衣服明朗的笑容微歪的嘴角，，长身玉立的站在任何地方，永远优秀永远完美无缺永远的万人迷，却在妹妹effy被劫时手足无措，在寒冷的夜抱着effy踏着一步一步的苦痛。

sid,傻乎乎的sid，天真老实的virgin sid，深爱着好朋友的女友的sid，戴着无檐帽在公车上绝望地唱着oh baby baby it's a wild world 的sid，对tony大喊着i love you 的sid。

在你身上，我看到了那个倔强而怯懦的自己。

永远的天使cassie在风中奔跑，在长椅上翩翩起舞，一次次试图接近爱的人，却一次次错过，被伤害。

chris，提起他现在感觉键盘上的手指还是会颤抖一下。

他放浪形骸的生活下却隐藏着无比的深情，无论是对angie还是jal，只是生活一次又一次在给他短暂的快乐之后施以无比的黑暗。

三四季，少年们更加放肆的生活下也隐藏着无比的寂寞空虚。

effy，有了自己独立的生活之后，不再是那个一言不发看似乖乖女实则叛逆的人肉布景。

家庭破碎后在愈加自我的生活里寻找存在的意义，在车水马龙的马路上大喊出i'm not afraid ，孤独的皮囊怎能用华丽的人生掩盖。

像是naomi和emily，隔着一扇门安静的握住对方的手。

那些试探和考验，分隔不开两颗本应属于对方的心。

freddie，他的离开出乎意料，那个能把滑板玩的那么好看真挚地用力的去爱的帅气少年，却成了险恶用心的陪葬。

cook大魔王，我在他身上看到了chris的影子，当他肆无忌惮的笑着，游走在校园，丝毫不畏惧任何人之时。

只是，cook毕竟不是chris。

chris只是用他的方式生活着，但cook是需要别人去关注，去热爱，然后不顾一切的逃离。

always,you and me.他对effy说。

五六季并没有完整的看过，在此，不予置评。

第七季，算是给我们这些始终挂念前面人物的铁粉们，一个不算很完整的后续。

effy行走职场，伪装高冷，实则稚嫩。

naomi安于现状，伪装坚强，实则脆弱。

cassie安静生活，伪装快乐，实则隐痛。

cook混迹社会，伪装成熟，实则怯懦。

原来，在经历青春的洗礼之后，我们都变成了当时自己所鄙夷的那类人。

岁月呼啸而过，带走张狂，带走疼痛，只留一脸茫然的我们站在原地。

七年，以一个狼狈的姿态逃离青春。

附：wild world 歌词Now that I`ve lost everything to you 如今我失去了你的一切　　You say you wanna start something new你说你想开始新的旅程　　And it`s breaking my heart you`re leaving你的离开深深刺伤了我的心　　Baby, I`m grieving宝贝 我伤心到了极点　　But if you wanna leave,take good care 如果你真的要走，请保重　　Hope you have a lot of nice things to wear 我希望你带走一切美好的东西　　But then a lot of nice things turn bad out there一切一切美好的东西 把痛苦和悲伤统统给我　　Ooh,baby,baby,it`s a wild world噢 宝贝 宝贝 这是个狂野的世界　　It`s hard to get by just upon a smile 仅仅靠微笑是很难应付的　　Ooh,baby,baby,it`s a wild world噢 宝贝 宝贝 这是个狂野的世界　　I`ll always remember you like a child,girl 我会永远记得你天真的模样 姑娘　　You know I`ve seen a lot of what the world can do 我已经经历了许多世间的沧桑　　And it`s breaking my heart in two这使我心碎不已　　Cause I never wanna see you sad,girl 因为我不愿见你伤心难过，姑娘　　Don`t be a bad girl不要成为坏女孩　　But if you wanna leave,take good care 如果你真的要走 请保重　　Hope you make a lot of nice friends out there 希望你能在外面世界结交更多益友　　But just remember there`s a lot of bad and beware但是记得那里潜在着危险 请小心　　Ooh,baby,baby,it`s a wild world噢 宝贝 宝贝 这是个狂野的世界　　It`s hard to get by just upon a smile 仅仅靠微笑是很难应付的　　Ooh,baby,baby,it`s a wild world噢 宝贝 宝贝 这是个狂野的世界　　I`ll always remember you like a child,girl 我会永远记得你天真的模样 姑娘

不再年轻。

看完这6集感觉很无力，很抑郁。

生命和生活在英语里同为一词。

生命可以成长，可以老去；生活可以如盛花灿烂，可以如落红不堪。

这一季的他们，恰若落地繁花，最张扬的青春已经成为过去，未来如同蒙住了的脏抹布，不能闻，不可视。

剧已经烂了，以致于我的不开心。

抑郁，却是因为我的眼前也是一块脏抹布。

五 年了来到第七季了，是该完结了么。

第一集 “Fire"当看到Effy在办公室里一本正经的上班的时候，我噗嗤一下笑了，那个”嗑药少女“满嘴”FUCK“的女生会这样，但是细想一下，她是一个冷到骨子里的人，她知道自己要什么，她下了个决定就是，只想好好工作了。

但是她的欲望还是那么强烈，她意识到了这个年龄的欲望已经不是能靠迷幻药能解决的。

她和他老板上床，非法获得信息来上位。

得到她所谓的"钱”但是“钱”真的能解决所有问题了么，那为什么还是整晚不睡去"pub" 呢？

不是已经妥协说，已经长大了么？

最后还不是最好的朋友得癌症，在死亡面前，自己的那点欲望又算什么。

第三集“PURE"是的，我最爱的”cassie" 那个厌食症神经质女孩儿，就真的没人了解你的世界么？

那个世界可正美，但是你又在逃避什么呢？

“i just waiting something good things"但是真的美好的世界是靠等来的么？

你离开父母去伦敦端盘子，白天浑浑噩噩， 只有晚上才会变成你自己。

但是这样逃避真的能解决问题么？

第一次看skins是09年，那年我大二，当时已经出到了第三季。

有个朋友很喜欢这部剧，也一直推荐我看。

一天逛校园资源论坛的时候看到一个1-2季的合辑时候，下载完才开始看。

当时年轻些，和多数人看到的一样，觉得skins就是讲一群荷尔蒙分泌旺盛的青少年，开了一场青春狂欢的爬梯。

在这些角色和情结中，我们可以代入很多，比如对酒精的沉迷，对性爱的追求，甚至对大麻和烟草的依赖，还有如Cassie对Sid无可奈何的Forever love。

那时我希望自己可以和他们一样，对家庭和父母的期待无所顾忌，甚至背离宗教和信仰，不管学校，不顾未来，只为青春，只为狂欢。

从第三季开始，在评论下说要弃剧的人越来越多。

我们对每两季换一批角色的设定不习惯，也更愿意相信第一二季的角色并没有离开。

但是即便嫌弃，也这么两季两季的看下来了，并且越看越清晰。

我开始认为编剧父子不仅仅是在讲荷尔蒙而已，而每两季都会有人死去，更像是编剧试图在以这种深刻的方式叙述他们想要对世界和青少年的看法。

不和睦的家庭、精神疾病、性取向、药物滥用和死亡，每一个话题单独拎出来都很沉重，skins把它们都囊括进来。

在第六季中Mini看着宝宝的那个挣扎表情，让我震惊到流泪。

每个人心底都怀着最纯真的善意，对家人，对后代，这些感情都能够在每一季中看到。

Mini父母离异，她的妈妈经常和不同的男人来往，甚至在家里大声做爱。

她从破处开始就面临着选择，被朋友甚至男朋友认可，还是做一个特立独行的处女。

Mini之后怀孕走投无路找到爸爸，习惯逃脱责任的爸爸成最后一点希望，却最终也将她置于不顾。

Alo从得知Mini怀孕之后被惊吓到躲起来，Mini一个人去堕胎的时候看着宝宝的样子强忍着眼泪还是哭了出来。

原本，Mini的家庭可以不破裂，她可以成为一个很优秀的女生，她可以不怀孕，她可以不要去面对要不要生下小孩的抉择。

家庭破裂是被选择的，拥有怎样的青春是自己选择的，进行有保护措施的性爱是可以选择的，生小孩是一切选择之后产生的选择。

所以，skins这些戏，这些一个个的悲剧和短暂的狂欢，是源于我们自己一个又一个的选择。

翻skins的照片，除了很多人说弃剧，还有很多人说第七季烂。

可是skins究竟讲的是什么，是嬉皮，是大麻，是酒精，是性，是青春，是狂欢？

每个人都有自己的解读。

Skins是这一切，又不仅仅是这一切。

我们的青春的状态，源于家庭，源于社区，源于社会，也终究源于自己。

如果家庭完整些，如果不是管教太宽松或是太严格，他们不会想要从传统中剥离出来。

如果学校负责职业规划的大姐能再专业些，没准能安排好几个学生的生计。

如果对爱情能够有所理解，Sid对Cassie的爱应该会有更多的回应。

男孩特别是卢瑟尔对女神模样的女孩情有独钟，好像流了很多年的哈喇子，一旦有机会一定要上位，并且有多久待多久，还必须的念念不忘，特别骄傲。

不管Cassie对他的爱有多深，似乎也看不到Cassie身上的美。

讽刺的是，Cassie在第七季成了一位万众瞩目的模特。

我很喜欢第七季，我觉得第七季升华了skins一直在叙述的庞杂的青春轶事。

青春时期因为各种原因，他们选择了一种极端开放的姿态绽放青春，甚至因此而被逼面对死亡。

第七季中，曾经年轻的人不再年少，Effy开始穿得像office lady，精通Excel，和boss打得火热。

虽然在烦心的夜晚也会换上衣服去夜店跳一跳，但是Effy已经长大了，她和每个人一样都长大了。

她不再因为别人的选择而精神分裂，她的生活开始由自己掌控。

她选择怎么对待爱她的人和她爱的人，而她选择和大多数的年轻女孩一样，对帅气多金的boss情有独钟，利用爱她的可怜男孩取得情报，并且被boss利用完之后抛弃，以及让爱她的男孩溃不成军。

这些都是她自己选择的结果。

很多人接受不了Effy蹲号子，但你可以是Effy，你在你长大之后，在你面对这种利益抉择的时候，能够拿她做反面例子，做另一个正确的选择，那么Effy这个号子就蹲得有价值。

对Cassie在第七季中的故事，还是没能给安排一个真爱，多少是有些怨念的。

但是大家都挺开心的，毕竟大家心爱的女神成了模特，前途明朗。

仔细想想，Cassie在很多时候都很冷静，比如即便孤独也拒绝滥交，以及在第一次为高端杂志做模特时拒绝中年多金男的毒品，少有朋友却不过多参与妓女邻居的邀请。

她的生活并没有糟到没办法解开，她有美而不自知的特质，并且心系家庭。

这样的女孩应该得到幸运的眷顾，而且编剧确实是这么做的。

Cook的故事很沉重，在前面他为Freddie杀死一位变态的心理医生，并在第七季中一边逃亡一边做一位毒贩子。

逃亡的时间，Cook有很多思考的时间，编剧也把他从没大脑的种马转变为有思想有担当的男人。

Cook在第七季中面对了很多艰难的选择，并且每一个选择都能将他指向险要的境地。

Charlie要Cook和他做爱，Cook第一次拒绝免去他一开始的杀身之祸，第二次因为Charlie提起他的往事没有拒绝，却将她这个定时炸弹绑在了身边，并最终害死了相爱的Emma。

但Cook没有再杀死boss，是对此前杀人罪行的自我救赎。

结局很多人不喜欢，因为剧从青春中起，就应该从青春中落。

比如青春应该完美，Effy不应该蹲号子；青春应该有爱情，Cassie应该和Sid团聚；青春应该张扬跋扈，Cook应该杀死boss并且和bitch私奔。

但这一切都没有发生，因为我们成长了，我们应该思考，做出一些正确的选择，为自己的人生开路。

Cook最后的独白you think you know deathbut you don'tuntil you've seen itreally seen itand it gets under your skin and lives inside youyou also think you know lifeyou stand on the edge of things and watch it go bybut you are not living itnot reallyyou're just a tourista ghostand then you see itreally see itand it gets under your skin and lives inside youand there's no escapethere's nothing to be done, and you know what?it's good, it's a good thingand that's all I've got to say about it.

第一代skins的演员们和我年龄相当，那段青春自然也是skins陪我度过，片头曲是我那时的手机铃声，今日再听，依旧百感交集，泫然欲泣。

第一代的片头曲清澈简洁，视频迷幻中不乏青涩质朴；而Emily的第二代，片头制作只得上代的皮毛。

到了Mini的第三代，电音里多了些压抑沉重；剧情和拍摄中刻意为之的感觉愈发严重，虽然内心十分偏爱Mini，也没将这两季看完。

Mini是身量高挑，明艳俏丽的典型苏格兰美女，整脸的雀斑吓坏了不少国人；大笑的时候嘴角快碰到耳朵，倒也别有一番风味。

她外表时髦、强势，有时口出恶言，肩膀宽四肢长，想来打架也寻不到敌手。

皮囊不过装饰，Mini的内心胆怯脆弱，高兴起来跳舞，简直像是猴子在杂耍，透着一股傻劲。

承蒙抬爱，现实生活中曾有数人称赞我与她相像，可我不认为他们了解我，或是Mini。

现在有了最终季，暂时还不得时间观看，也心存恐惧——我们一起放肆过的青春，只怕和太阳下的泡沫消散的一样迅速。

生离死别、自食其力、人情世故、有没有把你们眼中无知又无畏的光芒抹去？

一定有。

皱纹从不可怕，可怕的是人心。

后来在伦敦念书，落地一个月之后便以为朋友庆生的名义前往布里斯托。

和想象中不大一样，这座城市算是英国的大都市之一，也比较工业化。

市中心看起来敞敞亮亮，全不似英格兰其他城市小家碧玉般的做派。

白天日光充足，干净且宁静；有教堂，有涂鸦，有迷你又现代的码头，有波光粼粼的一小片海；到了晚间，酒精流氓们纷纷出动，他们凑到你耳边赞你美丽，手指停在你腰间，想要和你跳舞；喝到烂醉的人则不停地想要挑逗抚摸你，粗鲁者直接动手动脚。

幸运的话，他们中的一些人总能get laid，其余的便在呕吐物与咒骂声中醉到日上三竿。

天佑英格兰，这一年的留学生活让我见识到了五花八门、神出鬼没般的搭讪方式。

扯远了，回到伦敦不久，官方便公布Mini这一代要拍摄final party，诚邀各地的小伙伴们前往布里斯托助兴。

我和班上的德国姑娘都很想去，无奈课程安排，两人的英语那时又都是半斤八两，也没办成railway card，车票钱对于穷学生不算小数目，最终没能成行。

而我从布里斯托带回来的巫女扫帚在离开OPAL 4的时候也被我无奈丢入了垃圾桶。

还记得我们最爱的、总是找不到人生平衡的Cassie吗？

她后来就读于剑桥的皇后学院，现在已经毕业，在GOT中赢得了一个长线角色。

真好。

这篇写完，我会把电话铃声再次换回第二季的片头曲。

青春总要散场，我也无法生活在回忆中，但铃声响起时内心有愉悦和钝痛，这样也好。

这样也好。

不知道其他像我一样喜欢着Sid和Cassie的故事的观众，在听到第七季Cassie要回归了时候是怎样的心情。

不想看fire or rise，直奔向pure，这一词语是如何映衬那个在我心目中多年的女孩，是的，就是Pure。

　　镜头的开始是悬挂在C房间里半透明的蝴蝶花纹窗帘，带着澄澈的梦幻，在镜头若隐若现，似乎是Cassie内心世界的镜像，接着C熟睡的脸睁开双眼，伴随着Skin 第一季最经典的“fucking ,fucking shit,for shit’s sake, I was sleeping!”台词，音乐，场景都是如此相似，不知道导演用以何在，还是想说不管身在何处，令人烦躁的事物始终会伴随着你。

　　三四集看下来，盲点实在太多，看的我晕沉沉，最想要见的Sid没看见，一起略显drama的故事起落，弄得我一头雾水。

　　看完后，直觉囫囵吞下一口面团，觉得索然无味还噎住了。

　　晚上重新梳理一下情绪和细节，棒头当和一般就通了。

　　导演想要说的太多了，他来不及一一说明，给你一个案发现场照片，其他的你自己去找线索，慢慢抽丝剥茧。

　　真的太周折了，我们其实只是想看到Sid和Cassie在一起了啊，就这么简单。

但是呢，真实的生活从来不是我们期望的样子，充满了shit。

　　 　　问题一:Sid 当年到底找到了Cass没？

　　其实这个问题对于大多数喜欢S&C的人来说，没有那么重要。

第二季的结尾，C离开的原因，很多Skin迷都有各自的理解，说法不一。

然而作为一个女生，我切实感受到了C的不安，C是一个拥有很强大的内心的女孩，她有一个与周遭世界完全格格不入的纯净内心，从第三集中，每天早上叫骂的Maddie的名字，Cass却并没有记住这样的名字，而是选择忽视，沉浸在自己的世界中,这一细节就可以看出这一点来。

第一季里Sid对她发自内心的关心和纯纯的爱情是他们之间无法割舍的纽带。

但是第二季中S和M(马歇尔)短暂的恋情像阴影一样覆盖在这个内心纯净的姑娘心中，可以说是不管Sid后来发现自己爱的是C,但是他已经毁掉了C心目中那个最纯洁的纽带。

　　家庭关爱的缺失，使得她害怕那种不被注视，她看到这种纽带的毁坏，她害怕有一天纯纯的Sid也不再注视着她，Chris的死刺激了她，她逃走了。

　　 　　第3集里，Maddie跟Cass聊天，Cass说她在美国的时候，跟一个男孩周游了世界， 　　C:“if it didn’t end, it was for ever” 　　C:“he is ok” 　　M:“I think he isn’t ” 　　镜头切换到Cass的脸，我第一感觉就是这个人绝对不是Sid 　　 　　回头想想这个情节，为什么不是Sid？

如果不是Sid,又是谁有这个能力让Cass甘愿与其周游世界，并且害怕着“if it didn’t end, it was for ever”，这个理由几乎与skin第二季Cass离开Sid 的理由如出一辙，如果不是S，C什么那么害怕失去？

其实第七季第三集的在伦敦的C，是又一次逃离了S的C。

　　 　　问题二：佳能哥和Cass的关系 　　我一直久久不能忘怀的是第四集中，Maddie和Cass的对话， 　　她慵懒又随意地说着， 　　M:“London is fucked up ,I go to audition for my glorious acting career,and nothing ever happens, so..It’s all fucked,yet ,here we stay,fucked.we are waiting ,you know?for our life to strat..” 　　说到这里，Cass木讷的脸上掉落下眼泪, 　　C:“I fucked up”Casst痛苦不已地说着。

　　我看的时候很纳闷，我不知道Cass在指什么。

　　后来才反应过来，主要是和佳能哥的关系，也顺便指代自己现在的生活。

　　Cass毁掉了佳能哥心目中的净土，这个净土就像Cass每晚在音乐的律动中寻求的世界一样，也和眼前的Maddie想要做演员的想法一样，Maddie看似混乱无规律的淫乱生活，但是即使是这样的人，内心也有自己的一片净土，但是生活无情地践踏了Maddie的净土，就像践踏所有人的一样，Cass这时候才发现自己去时装界的一趟奇幻旅程践踏了佳能哥的净土。

　　第四集最后， 　　Cass对那个睡过的男同事说，你说的对，everthing is matter 　　我想Cass终于在不断循环的残酷生活中，找到了问题的症结。

这么多年来，那年夏天的绝食，现在的异乡独居，都是在逃避，逃避那个让她痛苦的家庭，逃避现实，她不愿意面对的现实，而这正是她这么多年来始终在命运的魔掌中无法逃脱宿命的原因。

　　所有的事情都很重要，每一件事情都息息相关，C的家庭一直贯穿了她的一生，但她却极力逃避它对她的影响，她深爱的她的家庭却因为关爱的缺失，而拒绝接受它，但她是那么善良，她深爱着她的家人。

　　所以，当Cass终于微笑着答应父亲照顾Ruby,这时候的她跨过了自己的心理障碍，不再生活在自怨自艾中，她选择了接受和理解，选择了付出与爱。

　　从这一刻起，她从心底接受自己的家庭，接受自己，接受自己爱的这个世界。

　　Cass的结尾一定是第七季中最好的，她的心结已经找到了新的方式去解开，她已经有勇气去重新开始。